Akira aside, he is his usual somebody please f*ck this poseur self, Nakahara Mai - a voice actress I'm not really acquainted with - was very good as a main heroine, not too annoying and not too feeble, just what the doctor prescribed. However, other voice actors were as good. I firmly believe she is one of the rare pieces of gold in our times of faceless cute girls. Her intonations and timbre sometimes made me feel uneasy because of their originality. First of all, Sawashiro Miyuki as a male character sounds fabulous. In 'Karin' was nothing outstanding, but not bad (if I may say such horrible things about ALI Project and Marble) The story starts with a picture of three select good-looking boys Most of them are only 13-14 years old, as it should be in a shoujo. A row of your-average-supporting-characters includes a shy friend to admire, positive and over-energetic classmate to laugh at, beautiful senpai to look up to and fall in love with, and cunning arch-enemy to hate. Concentrated, taciturn, reserved and materially-minded, but serious and caring. Her partner is, of course, as he should be, an ISTj - thinking, sensing, introverted. A bright, cheerful, understanding, social, active and brave heroine, who is at the same time sensitive and vulnerable. An ENFp, I would say: extroverted, intuitive, feeling. True, good, silly but funny.Ĭenters on your average girl-next-door, Japanese version. Middle 2000s was the time when - still - bishounen were really cool, when main heroines were really cute, when strong people were strong, when enemies had their own reasons, but were enemies nevertheless, when the good was good and forgiving, and everything was probably just a bit too simple for real life, but much more touching, because everything was made to look sharp, fierce and pierce. 'Kamichama' is a masterpiece created in 2007, and is still one of the 'classic' pieces.
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